Jubilee special: Why every girl should read Rahul Sankrityayan's 'Volga to Ganga'||AllBestNews||

Jubilee special:  Why every girl should read Rahul Sankrityayan's 'Volga to Ganga'

'Ganga from Volga' is a story collection written by Rahul Sankrityayan. This compilation of twenty stories calls the early age of our civilized society as maternal. This collection is unmatched composition of woman's domination.

'Ganga from Volga' is a story collection written by Rahul Sankrityan, whose stories are written in the history of human civilization due to events in the development of human civilization. 'Ganga from Volga' represents the matriarchal of the early age of our civilized society. This collection is unmatched composition of woman's domination. There are such quotations of women's performance and nature in this composition that establish that how feminine women were independent, self-reliant and free in maternal society. The woman was not the property of anybody. Self-decision of women was a major priority at that time and it was seen as a natural action.

From this point of view, 'Nisha', the first story of 'Ganga' from Volga, is particularly remarkable. According to the story writer, all the tribes of Hind, Iran and Europe were in the form of a tribe at that time. Probably hard to believe, but during that time women used to initiate every adventure, and it was not surprising, but a natural phenomenon. According to this story, women of maternal society ranged from animal-hunting to stone-trunk and arrows, walking knives, mountain climbing, swimming and dancing etc. In various arts. Rather, they were faster and more courageous than men.

There are twenty stories in the book 'Ganga from Volga' and a gap of some hundred years has been given between them. The change between these stories remains credible. In the time of 8000 years, the author has presented a squeezed history. Rahul Sankrityayan himself writes about this story collection that "behind the story of the author, it is the heavy material in relation to that era, which is how many languages ​​of the world, comparative linguistics, mud, stones, copper, bronze, Iron is found in symbolic and written literature or unwritten songs, stories, customs, tricks and tones. "

Perhaps this is the reason that there is a considerable variety in the style of stories. Through the description, conversation, autobiography, presentation, etc. the authors have expressed the thinking of the people and have shown the reactions of people on the change in society. At the end of the book, Bhadant Anand Kausalayan wrote about the sources of stories. In the book Ganga from Volga, the author fully wrote the Arya invasion theory and wrote stories around it, at that time perhaps this theory has not been so controversial, although at the end of the book, Bhadanath Anand Kausalayan criticized the book. It is written in the way that the purpose of this book was questioned by calling asceticism as a nihilist, anti-Brahmin. Sankrityayan has expressed himself in the role of the second edition of this book.

Anand Kausalyan has written just so much in the cleaning of Rahul Sankrityayan that if someone had to criticize then at least Rahul would have done as much study as Sankrityayan had done. Due to their knowledge, the ascetic is also known as Mahapandit in literary quotes. In today's time other than the language and other scientific methods have been tried in the origin of Arya invasion theory.

However, the first story of this book is from the Volga coast. In which about 8000 years ago, there is a mention of the family structure, diet, lifestyle and lifestyle of a tribe. The first four stories of Ganga from Volga to 6000 B.C. From 2500 B.C. Illustrate society. Nisha, Diva, Amrutashu and Purhuhut, all these stories belong to that period, when the man was in his own state, living as a family, he used to fill his stomach with prey. Rahulji may have resorted to imagination to portray the situation and the situation of that era, but these stories can be seen at that time.

The story is full of imagination rather than authentic things, but the author can not be blamed for it, virtually the authenticity of India's history has increased greatly after the Buddha and Mahavira era, which had two reasons. First, instead of highly praising the deities in the texts of Buddhism and Jainism, the actual social situations of the time have been depicted. Second, it can be known by comparing the contents of any one book with any other texts. After Sikandar's invasion, mention of kings and cities of India is also found in Yavani literature.

The next four collections of collections are - Puran, Angira, Sudas and Holi. These stories came in 2000 BC From 700 B.C. The social upturn and human civilization evolve. In these stories Vedas, Puranas, Mahabharata, Brahmin texts, Upanishads etc. have been formed. 490 BC The story unfolding has revealed a Buddhist life in Bandul Mall. With the inspiration of this story, Rahul ji wrote the novel 'Lion Senapati'. 335 BC In the story 'Nagdatta' revealing the era of Acharya Chanakya, the memories of the arrival of Yavan pilgrims come to India.

In other stories stories of Vedic India, North-Vedic India, Buddha's time were written. In this book, attempts have been made to go into the causes of racism. In the story 'Prabha' which reveals the time of 50 BC, the Buddha and Saundaranand of Ashwanguhash can be realized. Suparna Yudhaya, Guptakya in India i.e. 420 BC To Raghuvansh, the story reveals the time of Abhigyan Shakuntalam and Panini. Similarly, there is a dumb story, in which the time of 630 AD appears, joining us with Harshacharit, Kadambari, Hansang and Eatinging also connects us. The fourteenth story, whose title is Cycle, saves the illumination of 1200 AD and draws the template of that era in front of us.

The fifteenth story of compilation ranges from Baba Nuruddin to the last story Sumer, which is about 650 years interval. These six stories expressing political, social, economic and cultural trends from the Middle Ages to the present era - Baba Nur Din, Suraiyya, Rekha Bhagat, Mangal Singh, Safdar and Sumer from the past, bring us towards this present. That we feel the realization of the completion of a journey. In these stories, even with the stories and the historical authenticity, it is included to the extent that it becomes impossible to differentiate between stories and history.

According to Rahul Sankrityayan, there was no division of work in the first Aryan castes. Every single man could do every single thing. When the Aryans came in the Indian subcontinent, they saw trade-oriented communities where a leader had very strong power. The people in the Aryans had adopted this system. Slowly this system strengthened its roots and it was almost impossible to change it. The wars between Aryans and non-Aryans have been expressed in their own words, some of which are mentioned in mahagrandhs. Until the medieval period, there was so much anger against the upper castes in the backward castes that they also considered foreign rule as good.

In the last story of the book, the author presented communism as a solution to the evils of India. At that time, listening to the stories of the Soviet Union may seem like once the feudal system had ended and the sole purpose of governance was the welfare of the people. The solution to problems like racism and gross disparity in income has been called communism. After so many years have passed, the Soviet communism can not be said to be completely successful. Any kind of autocracy can not be called praiseworthy. It may also be that communism is not well implemented in the Soviet Union. But through this, Sankrityayan gave a voice to the depressed class problems.

One particular thing about this book is that Rahul Sankrityayan had created the 'Volga to Ganga' in the black cell of the jail. Prison was Hazaribagh Central Prison According to the prison record, he was imprisoned for about 5 years at different times due to his participation in the freedom movement. He made this period indelible through his creation. Apart from this, the composition of the Leo Senapati and the Philosophical Direction was also made here.

In his life, the composer of 155 works, Rahul Sankrityan, became the first prisoner of Hazaribagh Central Jail on 1 April 1923. Since then, the continuation of the journey continued here. For the second time on March 27, 1940, and for the third time on 30 December 1941. The silent witness of Rahul's creation is the Central Jail of Hazaribagh, on whose premises this Mahabhakyuk had written his ideology. It is a strange coincidence that his birth and Mahaprrayan's month is still in April. By refining ideas, he had proved that man can live in the forest or utilize his every moment in the river, in the river or in the valley. His memories are still safe in the Central Jail's Rahul Memorial Hall, perhaps that is why Bihar has not forgotten him.